BY: LIZ KEIPER

I’m a big fan of Kwame Alexander’s book The Crossover.

cover-of-the-crossover

 

 

 

 

 

 

 

 

 

 

 

 

 

image via The Guardian

I’ll admit—at first I was a bit skeptical. When we received word last school year that Berkeley County high schools were going to be reading The Crossover as a county One Book event, I was not immediately sold.

“So, it’s one of those poetry-novels. Teen angst and basketball…” I mean, I’ll try anything once, but I was not ready for how powerful that book was.

It’s about basketball… but it’s about so much more. The big ideas forming the story are incredible—family, sacrifice, love, acceptance, jealousy, revenge, (spoiler alert!) death. The poetry is rhetorically rich. There are motifs and symbolism galore, and also Biblical allusions… There are two brothers, one of whom is jealous of the other and wounds the other out of jealousy. (Cain and Abel, much?) Also, the two brothers happen to be named Joshua and Jordan, and at the end of the story, Joshua crosses over Jordan in a basketball move (eerily similar to Joshua crossing over the Jordan River into the Promised Land).

For many students, basketball was the hook or initial interest point, but there was so much more that they got from the text.

I remember telling a friend, “The Crossover isn’t just a popular poetry-novel; it’s LITERATURE!”
And Solo is no exception to that.

cover-of-solo
image via epicreads.com

It is the newest book written co-written by Kwame Alexander and Mary Rand Hess. The story is about a boy named Blade who is the son of a formerly famous, now drug addicted, rock star. Blade goes on a journey in search of his past, and ultimately himself. He is an avid classic rock fan, so rock songs and references to them are woven throughout.

But of course, it’s about far more than just classic rock. Solo is also rife with symbolism, themes, allusions, powerful rhetoric, interesting poetic structure, and just about every archetype under the sun. However, I’m not going to give away too much more before you read it. ☺

I think that several activities that I used in my classroom with The Crossover would also work well with Solo (or any other novel told through poetry) because of the structure of the text.
During reading with The Crossover, I had my students analyze poems of their choosing from the book. Below are my instructions and here’s a copy of the document.

crossover-poetry-analysis-instructions

We analyzed the first poem “Dribbling” as a class, and the rest were their free choice.

For me, this helped me not go “overkill” on the book during reading. This held the students responsible for deep thinking but also let them enjoy the flow of the story as well.

The Crossover is also a phenomenal mentor text for poetry writing. During reading, I had students write a Found poem modeled after the newspaper-story-turned-poem “Article #1 in the Daily News (December 14),” a List poem modeled after “Five Reasons I Have Locks,” and a Definition poem modeled after “ca-lam-i-ty.”

For each of these types of poems, we read and analyzed a model poem from The Crossover as a class, I showed them an example that I had written based on the model, and then I gave them the remaining time in class to write their own. They then decorated their favorite poem that they had written for display.

As an after-reading activity, I identified three main motifs that I found significant in the book: Flight/Flying, Stars, and the word Crossover. I split the students into groups and assigned each group a motif. I gave each group six different instances of that motif in the story and had them look up all those instances. Then as a group, they had to decide what the recurring symbol seemed to represent and why. Here’s the motifs handout that accompanied the task.

Along with meshing well with the above-mentioned techniques, the new book Solo is also a fabulous example of the classical quest and the concept of The Hero’s Journey. Here’s a cool tie-in video for your kids to explain The Hero’s Journey and why it’s important.

In Solo, (don’t worry, I won’t spoil it!) the main character Blade has a recurring dream in which he hears a call to “wake up and face the spider.” Throughout the story, he develops many theories as to who or what the “spider” is or what this means. He then proceeds to go on a quest in which he gains much more than he expected and deciphers the nature of the “spider.” All of this is part of his Hero’s Journey.

A few years ago, I taught English 12, and after reading Beowulf and Sir Gawain and the Green Knight, I showed my students the above Hero’s Journey Ted Ed video, and they identified the elements of the journey for both Beowulf and Sir Gawain. Then, that gave us a chance to make text-to-self connections—what is your Grendel? What is your Green Knight?

Or, in the case of Solo, what is your Spider? What is a fear or obstacle that is keeping you from your goals—your destination?

One of the deepest powers of story is how it can impact and teach. And you can definitely get to that level with your students and Solo.

So, whether you just decide to read it as a last-hurrah of summer, whether this inspires you to try to write a grant to get a classroom set, or whether you pick up a copy for your classroom library and wait for that kid with the Pink Floyd or Led Zeppelin t-shirt to walk into your classroom during the first month of school and you use it to hook them on a good book… I hope that you and your students get a taste of this book.

And may you wake up and face your Spider.

WVCTE is wondering…

1) Have you read or taught The Crossover? What other engaging activities do you suggest with the text?
2) With what other quest/Hero’s Journey stories would the Ted Ed video be useful?
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